A Chain of Thunder, by Jeff Shaara

This book tells the story of the Campaign for Vicksburg during the Civil War. I've visited the National Military Park there a couple of times and always find it both fascinating and moving. Shaara does a good job of providing varying frames of reference from both sides of the battle, generals and enlisted men alike. There are several maps throughout giving a feel for the movement of troops, which is nicely juxtaposed with the southern civilian viewpoints who were only told their position was impregnable and chose to believe it.

This is clearly a well-researched novel, with detail after detail about the quality of life as well as the military strategies. I was surprised to find that anti-vaxxers were not a recent idiocy but were alive and well in the 19th century. "It amazed Bauer that so many in the town, and in the army, had responded instead with outcries against the vaccinations that seemed born of nothing more than superstition." With all this detail, though, there is a surprising lack of what life was like for the slaves in Vicksburg—none of the narrators were Black. When white civilians during the siege were reduced to eating dogs and rats, what the slaves ate isn't stated. Considering this was a war over slavery, this lack of insight hurts the overall narrative.

It was strange reading a novel about the Civil War during a time where it feels our country is splintering along similar political lines, if not physical ones this time. On the North side Grant and Sherman fought to hold the United States together. On the South, Pemberton fought out of loyalty to his Virginia-born wife rather than dedication to the Confederacy. The Northern soldiers fought for duty, the Southern desperate to maintain their way of life. Both sides are depicted fairly nobly, and the institutional racism at the root of the conflict isn't a part of the story. Makes you wonder how the raging racists running Washington will be depicted in literature a century from now.

First Sentence:

The ball was a glorious affair, the Confederate officers in their finest gray, adorned with plumed hats and sashes at their waists.

Skyward, by Brandon Sanderson

I've liked everything Brandon Sanderson has written, and this book is no exception. Skyward tells the tale of young Spensa that dreams of being a pilot like her father, fighting the aliens that keep them trapped on a desolate world. Unfortunately, her father mysteriously went from hero to traitor during a battle and she has been branded the daughter of a coward, unsuitable for society—much less a candidate for flight school.

Sanderson's world-building and magic systems are legendary, but neither are really present here. This is targeted at young adults, but it felt dumbed-down compared to his other works which was disappointing. YA novels tend to be coming of age stories and shy away from extreme themes, but that isn't any reason to have one dimensional characters or a by-the-numbers plot. Look at The Outsiders or Ender's Game for better examples of the genre. That said, this is still an enjoyable read with a good hook and nice twist at the end setting up the sequel.

First Sentence:

I stalked my enemy carefully through the cavern.

Oathbringer, by Brandon Sanderson

This third book of the Stormlight Archive might be the best of the three so far. The main players have all been introduced, but their roles are continually changing keeping them interesting. The war hinted at in the previous novels is here in full force, and yet rather than devolving into battle after battle the plot is still filled with mystery. The twist in motives towards the end was masterfully done, arriving as a surprise yet clearly being obvious in hindsight.

Sanderson's writing continues to sparkle, sometime taking me out of the story entirely with wonder. When one character wakes up with a stiff shoulder he thinks to himself, "He had found middle age to be like an assassin—quiet, creeping along behind him." Having turned 50 myself this year, I found this to be a delightful and sobering description of life these days. And speaking of sobering, one character discovers to her delight her magic can immediately cure her drunkenness. Now that is a power I'd like to have!

Rhythm of War is the next book and is due out later this year. With ten books being planned for the series, my worry is that this will deteriorate into a George R.R. Martin-style of delay after delay, but am willing to give it a chance. At least for a while!

First Sentence:

Eshonai had always told her sister that she was certain something wonderful lay over the next hill.

The Ruin of Kings, by Jenn Lyons

This novel explores a rich fantasy world, complete with dragons, magic, quests, and prophecies. It is also confusing as hell, with characters that switch bodies, get resurrected or are seemingly immortal, a narrator that makes comments and footnotes as the story unfolds (and is himself a player), and a storyline that jumps back and forth in time with each chapter. I was hooked when I read the blurb on the back: "Then again maybe he isn't the hero after all. For Kihrin is not destined to save the empire. He's destined to destroy it." A lot of promise in that statement, and as the main character (Kihrin) isn't really likable as most stereotypical heroes there seems to be some weight to the premise. Sadly, the outcome is muddled, almost as if Lyons couldn't decide what to do. Hard to follow, but I think I'll give the next book in the series a chance.

First Sentence:

"Tell me a story."

Words of Radiance, by Brandon Sanderson

This is the second book of the Stormlight Archive, following The Way of Kings. It has some of the failings of a middle book, being somewhat slow moving and largely preparing for the following novels, but certainly stands on its own. Heck, Sanderson kills off a major character from the first book not even 10% of the way through! The most interesting thing here is that the protagonists and antagonists aren't entirely clear. The war between the humans and the Parshendi heats up, but it is revealed that the Parshmen were enslaved centuries ago so is this truly an unjust war? The Radiants and the Voidbringers are basically gods and seem to be the ultimate factions of the conflict, but it appears that tools from each are used by both humans and Parshendi. And division is rife within the human cabals as well, with some trying to gather power to preserve humanity from the assumed arrival in the flesh of the Voidbringers while others are trying to destroy that same power, fearing that it is what is drawing the Voidbringers in the first place. A book of contradiction and ambiguous motives, this is setting up to be a very interesting opus.

The length is a bit of problem here again, weighing in at over 1300 pages. Several sections felt like they dragged on when I was reading them, but on reflection I'm not sure which ones I'd edit. The curse of good writing, I suppose! Speaking of good writing, one line has stuck with me since finishing the book. A main character defines a good life as "A day of honest labor, followed by an evening at the tavern with friends." That strikes me as a wonderful description and resonates deeply with where I find myself these days.

Many of Sandersons novels take place in a shared universe, called the Cosmere. Occasionally characters cross from series to series, but usually play only a minor role. However, in the closing pages of Words of Radiance a sword oozing black smoke is found. "Hello, a cheerful voice said in his mind. Would you like to destroy some evil today?" I can only hope this is Nightblood from Warbreaker, another novel that takes place on another world in the Cosmere. Things are about to get entertaining here...

First Sentence:

Shallan pinched the thin charcoal pencil and drew a series of straight lines radiating from a sphere on the horizon.

The Way of Kings, by Brandon Sanderson

Sanderson is a genius at the art of world-building and creating unique yet consistent systems of magic, and The Way of Kings is absolute evidence of his mastery. Humans are the main characters here, but far from the most interesting. Spren are spirits of a sort, described as concepts given physical form by our collective subconscious. Most wildlife is crustacean based, such as the giant crab-like creatures that act as oxen. Plant life is also unique; the land is ravaged on a regular basis by powerful and deadly storms, so the flora has evolved to pull into the ground or stones during a gale to protect themselves. Finally, the Parshendi are the antagonists (of a sort) being at war with the humans, and they are a bit of a mix of humanoid and crustacean. Magic is called surgebinding and is a collection of several different abilities all powered by the storms. For example, one form can affect gravity and adhesion, another can transmute objects from one thing to another. There are magic items in this world as well, including indestructible swords that can be ordered to appear and disappear by their wielder and armor that regenerates when damaged. All fascinating, and all just a backdrop to a gripping adventure.

My biggest quibble with this book is its length—over 1200 pages. While I dearly loved the peek into the world in which it is set, several passages and quests could have been shortened or left out entirely without harming the overall narrative. That said, once the story gets rolling it is quite good and many characters are both complicated and quite witty. One line uttered by an academic researcher especially rang true: "Proof that one can be both intelligent and accept the intelligence of those who disagree with you? Why, I should think it would undermine the scholarly world in its entirety." While referring to academia in the novel, one could easily (and sadly) apply it to the divisive political system in our world today.

This is the first in a series of twelve novels, only three of which have been released to date. Luckily there is an actual conclusion here; plenty of loose ends and setups remain for future episodes, but there is an actual denouement and resolution, not just an abrupt pause in the action waiting for the next book like some authors seem to enjoy. If the other eleven books are of a similar length (and in general, fantasy epics like this tend to get longer, not shorter) we are looking at some 15,000 pages of material to read. While daunting, I find myself eager for the next entry, Words of Radiance.

First Sentence:

Szeth-son-son-Vallano, Truthless of Shinovar, wore white on the day he was to kill a king.

The Atomic City Girls, by Janet Beard

During WWII, Oak Ridge was established as one of the main sites of the Manhattan Project. The facility was sprawling, springing up in a largely unpopulated area seeming overnight to house and employ 30,000 workers—almost none of whom had any idea what they were trying to build. This little-known setting serves as the backdrop for several (barely) intertwining stories of life, love, and growing up.

Despite the title, the narrative largely follows only four people, two women and two men: Sam, a Jewish physicist who is a key player in developing the bomb, June, a high-school graduate finding her way in the world, Cici, a gold digger searching for a husband, and Joe, an African American construction worker. Sam and June are the main focus, falling into an affair fairly quickly. Joe has the most interesting arc, with the horrible treatment of blacks at the time and the varying attitudes of everyone ranging from hostility to acceptance. Cici does have her own storyline, but largely serves as a foil to June, going from friend to enemy fairly dramatically.

While the plots are thin and characters are largely one-dimensional, the setting is what makes this a pretty good read. There are actual photos interspersed of Oak Ridge at the time which really helps set the mood. While reading I found myself going to the web and looking up stories and information about the plant; I probably spent as much time doing that as reading the novel! If you are looking for an historical fiction tale that sheds light on a new era this is a solid (if pedestrian) choice.

First Sentence:

The news that June's grandfather was being evicted had come from her older sister Mary, who worked in town at Langham's Drug Store.

Warbreaker, by Brandon Sanderson

In my opinion, Brandon Sanderson is one of the best fantasy world-builders out there today. The magic system here is unique (as in seeming all Sanderson's oeuvre): everyone has a "BioChromatic Breath," a single bit of magic capability, and that Breath can be given to others. If one accumulates enough Breath various powers are granted, from perfect pitch to agelessness to animating normally inanimate objects (such as rope and cloth). Magic also requires color; the more difficult and powerful the spell the more color is drained from nearby objects—prisoners with enough Breath are kept in dull grey cells preventing any sorcery.

Coupled with this fascinating wizarding system is a story of pending war between neighboring lands and intrigue galore. Sanderson does an excellent job of hiding the twists in plain sight and disguising who the heroes and villains actually are. Throw in assassins, gods that live amongst the people, a talking sword, and a healthy dose of humor and you have Warbreaker, the nearly perfect fantasy novel.

First Sentence:

There were great advantages to being unimportant.

Four Hours of Fury, by James Fenelon

Operation VARSITY was the largest single-day airborne drop in history, and Four Hours of Fury tells the story. I've read about Pearl Harbor, D-Day, the Battle of the Bulge, and the war in the Pacific, but hadn't ever heard of this operation which was the first push into Nazi Germany, signalling the end of WWII. Fenelon does an amazing job; facts and maps abound, but the focus on the combatants (enlisted and officers on both sides of the battle) keeps the story humanized. He has an amazing knack to toss in a sentence that seems amusing or light-hearted at first, but after more thought is covering the horrors of war. "Instructors reminded them that on an actual jump, if they didn't feel the opening shock of their chute by 4,000, they had the rest of their lives to deploy their reserve." The last sentence is flat-out heart-wrenching, capturing what every wife must have felt when getting a death notice: "There would be no fifth wedding anniversary celebration." Well-written, informative, and hard to put down—not a combination of traits I often ascribe to a history book, but they apply to Four Hours of Fury in spades.

First Sentence:

Three months before they dropped into Germany, the troopers of the 17th Airborne entered combat for the first time in a manner entirely different from how they'd been trained.

Armada, by Ernest Cline

Despite having basically the same plot as the excellent Ready Player One (video game playing awkward teen stumbles into a massive intrigue, meets and falls for a beautiful ingénue, and then becomes the hero of the world) I couldn't put this book down, and in fact read it in one sitting! Cline fills it with not only references to classic video games and science fiction movies, but manages to make them seem fresh rather than derivative. The basic plot closely resembles The Last Starfighter, but instead of being ignored Cline embraces this (and all alien invasion tropes) by saying that these exist to prepare the populace for the reality of extraterrestrials. I love that he also tosses in other pop culture references to movies like Firefox and Red Dawn but doesn't explain them—either you get them or you don't. I'm sure I didn't get them all, but I liked the instant memories the ones I did brought to mind. I haven't met anyone that didn't like this book, from my fellow 1980's kids to my own kids!

First Sentence:

I was staring out the classroom window and daydreaming of adventure when I spotted the flying saucer.

Hell and Good Company, by Richard Rhodes

Before reading Hell and Good Company pretty much all I could have told you about the Spanish Civil War was that it occurred between World Wars I and II and Hemingway wrote For Whom the Bell Tolls based on his experiences there. Rhodes only lightly touches the military and political aspects of the war, instead concentrating on the innovations that were made real during this time. I was shocked to discover that frontline blood donations weren't commonplace before Spain, and the practice of sealing open wounds and compound fractures with plaster to keep them clean and immobile finally gained medical acceptance at this time, too. Hard to believe that before the late 1930's a broken leg was usually amputated on the battlefield in order to save the soldier. Military tactics also saw a lot of advancement during this time; air power truly came into its own, resulting sadly in prominent, purposeful civilian targets and the first war with a city bombed into literal rubble.

Rhodes has a sophisticated writing style; readable, but with an impressive (and occasionally off-putting) vocabulary: "In pursuing a latter-day, reverse reconquista he was less a fascist than an aggrandized martinet." One chapter in particular I found difficult to finish; the author discusses the creation of Picasso's Guernica, explaining in excruciating detail how the painting changed with each small step in the artistic process. Oddly, there isn't a rendering of the entire finished work included, so much of the included minutia was severely lacking in context. This literary wandering was an anomaly, though, and the book itself was both engrossing and appealing, and I recommend it to anyone interested in this time in history.

First Sentence:

Barcelona, 25 July 1936: In the glare of Spanish summer, the first witnesses to the igniting civil war are leaving to tell the world.

Tour of the Merrimack, by R. M. Meluch

Straight up military space opera often feels a lot like a B action movie, and the Tour of the Merrimack is no exception. The Volume One omnibus comprises two novels, The Myriad and Wolf Star, and is followed by Volume Two which contains The Sagittarius Command and Strength and Honor. Set over 400 years in the future, the Roman Empire never actually fell but simply went underground as a secret society and survived throughout the ages. When America colonizes a planet named Palantine and the Romans come out of hiding and rebel, a space-borne civil war erupts. That conflict immediately stops and causes enemies to ally when a truly alien race called the Hive appears and threatens humanity itself.

The setup is fairly interesting and Meluch does a good job of depicting uneasy allies, but other than the plot there isn't a lot to recommend here. The novels are riddled with contradictions. Despite being much more advanced technologically than the US, the Romans can't seem to build battleships that can stand up to the Merrimack or her sister ship the Monitor. The Romans claim their society survived hidden for centuries because they passed their secrets down through the years to worthy individuals regardless of race, color, sex, or creed, yet when they arose again they immediately reintroduced slavery to the universe. The Hive are depicted as omnivores that exist only to eat and destroy and are vicious enough to force bitter enemies to come together to survive, but fairly easily dispatched by our heroes who just happen to be armed with swords. In space. Yup.

The plot structure is by far the best part about this series. The entire first novel is basically foreshadowing for the next two and there is a great twist at the end. The action is fantastic as well—hard not to like US marines in space fighting tentacle monsters with blades—and exhaustingly non-stop. There is a smidge of political intrigue as well and some of the most awkward romances I've ever read, but it is the fast moving adventure that makes this worth the time. These four novels make for an entertaining read, but thin enough that I'm not going to seek out the fifth.

First Sentence (from The Myriad):

A nightmare runs over and over again in a loop.

First Sentence (from Wolf Star):

"Occultation, nine by twenty-five by eighty-eight," the tech at the sensor station rang out.

First Sentence (from The Sagittarius Command):

The harsh white sun and the softer yellow day star shone directly overhead.

First Sentence (from Strength and Honor):

Lieutenant Glenn (Hamster) Hamilton was Officer of the Watch when the Emergency Action Message came in.

George Washington's Secret Six, by Brian Kilmeade and Don Yaeger

This is a pretty interesting book about the Culper Spy Ring which was active in New York during the American Revolution. I didn't know much about the ring other than through pop culture references in Y: The Last Man and White Collar and quite enjoyed learning more about it, and the major impact on the war the spies brought about. The biggest (but not only) coup the ring accomplished was providing key intelligence that eventually prevented Benedict Arnold from turning West Point over to the British. Truly fascinating.

This is an easy read, with short chapters and just over 200 pages written at maybe a middle-school level. There is a lot of dialog here, capturing conversations between characters that couldn't possibly be known today, making this an odd blend of fiction and non-fiction. Overall this certainly gets a thumbs up as a basic introduction to the Culper Ring, and a good set of references in the back for digging in further.

First Sentence:

The execution of Nathan Hale on September 22, 1776, was the lowest point in a month of low points for General George Washington.

Jackdaws, by Ken Follett

Set in World War II in the week before D-Day, this is an uneven espionage story about an all-female group of Allied saboteurs. Only two characters—the main heroine, Flick, and the main villain, Dieter—get any degree of depth; the rest are cardboard cutouts that fill a role: the ditzy aristocrat, the gutsy gypsy, the perceptive boyfriend, the sadistic torturer, the dense Gestapo Major, and so on. The action takes place over ten days (minus a short afterward that gives the happy ending), and during that time Flick shows an unbelievable array of traits: loving, faithful wife that suddenly takes a new lover, heartless leader yet compassionate trainer, and stalwart soldier to cold-blooded executioner. A quick read and a rollicking story, but shallow characterization and an over-accelerated plot keep this from being memorable.

First Sentence:

One minute before the explosion, the square at Sainte-Cécile was at peace.

Ender's Game, by Orson Scott Card

I loved this book as a kid, and liked several of the sequels as well. With a movie on the way and my sons interested in it, I dug up my old copy from 1986 and we all read it. It holds up surprisingly well, and both boys liked it as much as I did. The plot is in four loose sections: Ender on Earth, Ender at Battle School, Ender on Eros, and after the war. The bulk of the story takes place at the Battle School and is easily the best part of the book. The idea of training child prodigies as military commanders in zero gravity is both farfetched and fascinating at the same time, and the descriptions of the various games are unique and memorable enough that they largely matched what I remembered from nearly 30 years ago. Of course, after seeing previews for the movie I kept picturing Harrison Ford as Colonel Graff and Ben Kingsley as Mazer Rackham—neither of which matched my previous images. Ender's Game is a great sci-fi book, and if my family is any indication it holds up well through the generations, too.

First Sentence:

"I've watched through his eyes, I've listened through his ears, and I tell you he's the one."

Locked On, by Tom Clancy with Mark Greaney

I loved some of the early Jack Ryan books, but gave up after Red Rabbit and The Teeth Of The Tiger because I thought they were really weak. I spied Locked On on the bargain table and decided to spend a few bucks and see if anything had improved. Surprisingly, there had only been one book between The Teeth Of The Tiger and this one in the last ten years so plot-wise I hadn't missed much.

The story here mainly follows Jack Ryan Jr. and John Clark; the former chasing a terrorist plot through Pakistan and Russia and the latter on the run due to a political witch hunt. Clancy hasn't softened his views towards politics any here; the Democrats are depicted as cartoonish and practically being pro-terrorist. The news outlets are savaged as well ("Liberal bias in the media was a fact of nature.") and shown to eagerly suppress information that shows Democrats in a bad light. While I agree with much of the sentiment here, Clancy takes it to an extreme. The terrorist plot is on nearly a James Bond scale; a Pakistani General steals two nukes from his own country and intends to force a war with India using a Muslim uprising in Russia as a distraction. I don't think this has the depth of The Hunt for Red October or even Debt of Honor, but it was nice to revisit the Jack Ryan Universe once again.

First Sentence:

The Russians call their Kamov-50 helicopter gunship Chernaya Akula—Black Shark.

The Yellow Birds, by Kevin Powers

This is the story of two soldiers, both of whom went to war but neither entirely came back. Powers writes a powerful tale that does a marvelous job of describing both what a soldier's life serving during the war in Iraq is like, and what it is like after returning home. The imagery is powerful and poetic, painting pictures that vividly mirror the bleak outlook of war. "We'd been granted a reprieve from the heat and the dust, both gently smothered by flat sheets of rain fallen from skies the color of unworked iron." Powers also captures the internal melancholy of PTSD, giving a potent glimpse into what some returning soldiers endure. "I was tired of my mind running all night through the things I remembered, then through things I did not remember but for which I blamed myself on account of the sheer vividness of scenes that looped on the red-green linings of my closed eyelids." While beautifully written, the subject matter makes this difficult to finish. A depressing book, but one well worth reading.

First Sentence:

The war tried to kill us in the spring.

The Shadow Patrol, by Alex Berenson

Spies, drugs, and terrorists in a war torn Afghanistan. Not exactly original, and Berenson does nothing to make this his own. A plodding plot and uninspired characters makes this an extremely average book—more of a cartoon than a thriller. I found this book in the pocket of an airliner; it made for a passable read on the plane but I'm very glad I didn't pay for it.

First Sentence:

Growing up in the scrubland of west Texas, Ricky Fowler had done some stupid things.

Night Over Water, by Ken Follett

Set largely aboard the Pan Am Clipper, the legendary aircraft that launched commercial transatlantic service, Night Over Water is a somewhat entertaining, if far-fetched, read. The multiple plots follow the passengers and crew of a flight from the UK to the US immediately after war broke out between England and Nazi Germany, intertwining when they all board and begin interacting with each other. The descriptions of the plane were captivating and it often seems almost another character rather than the setting; as a reasonably frequent overseas traveler the luxury in which people traveled back then is virtually unrecognizable to the state of air transportation today. Of course, having three stops between Southampton and New York taking over 27 hours to make the journey is also hard to imagine today! Unfortunately, the people aren't as compelling; most are shallow caricatures—the lucky thief, the whiny teenager, the English fascist, the forthright engineer, the evil sibling, and so on—and more than one appears in a scene or two and then simply vanishes from the book. The multiple plots vary enough that they hold your interest, though; if it wasn't for the somewhat graphic sex scenes I'd say this was a good novel to give to a younger reader making the switch to adult fiction. While I won't recommend this book to anyone, I won't dissuade anyone from reading it either. Very average, which is disappointing for Follett.

First Sentence:

It was the most romantic plane ever made.

A Matter of Time, by Glen Cook

This is a strange book, but enjoyable. Part Manchurian Candidate, part The 6th Day, and part Quantum Leap, Cook starts his novel in the 1970s but flips the point-of-view between chapters as far back as 1866 and as far forward as 2058. The pace is fairly slow, but as the pages turn and the seeming disparate events start to gel the plot becomes more and more compelling. I found the cops of 1975 a bit too willing to accept time travel as a viable solution to their murder, but otherwise the characters seemed to fit their time periods fairly well. Overall a solid if not memorable novel.

First Sentence:

Total darkness.