Modesitt is a prolific author, and I've read literally dozens of his novels—and enjoyed them all. Legacies is the first (of eight so far) of yet another series, and it follows the same basic pattern as most of his work: young man discovers he has a once-in-a-lifetime magical talent, teaches himself how to use said talent while keeping it hidden from everyone, learns to be an exceptional soldier and leader, and single-handedly disposes of a horrible oppressor that was threatening the world at large. That said, the pattern is still quite entertaining and compelling enough I read this nearly 600 page book in a single day. One thing I don't remember in other Modesitt novels is how the music is so recognizable; in several places people sing and the lyrics are clearly all based on popular tunes such as "Don't Sit Under the Apple Tree" and "Seven Drunken Nights". When reading "Saddled, and booted, / and bridled rode they..." it was easy to picture the mournful tune and the loneliness of the vocalist. This extra dimension allowed the songs to be performed rather than just read, bring that much more impact to these scenes.
While the villain is obvious, the effects of her villainy are not as blatantly evil as in most fantasy tropes. The Matrial has enslaved all men (and uncooperative women) in her lands with a magical collar; free will still exists, but the all-female ruling class can punish or kill anyone with a collar that has been accused of a crime. The overseers can also tell when someone is lying, so theoretically justice is harsh but fair. As a result, the land is largely peaceful (but aggressive towards its neighbors) and both scarcity and abuse have largely been eliminated. However, men aren't given a choice about wearing collars (the situation of children isn't addressed; unclear when a boy is equipped) and POWs are all forcibly fitted and made to serve in the army. The ruling women aren't all bastions of honor either; in one scene two accused criminals are put to death, when it was clear to the judge and executioner that one was innocent. After living in this world (with a collar) for a year or so, our hero is conflicted, wondering if the end justifies the means as this land is seemingly much more equitable than his homeland, where poverty and vice is common, and the rich have unbalanced power over the poor. Urban and rural, rich and poor, male and female, freedom and slavery, right and wrong—all these dualities are examined and the results are thoughtfully not always black and white.
In the quiet of the early twilight of a late summer day, a woman sat in a rocking chair under the eaves of the porch, facing east, rocking gently.
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